Sample Recital Program:
Multi-Parameter Music for the Trombone
0:00 Richard Barrett: basalt (1990-91)
8:16 Kenn Kumpf: _they mix above there (2008)
19:22 Timothy McCormack: HEAVY MATTER (2012)
28:28 Sehyung Kim: IL (2014/2015)
37:33 Vinko Globokar: Echanges (1973)
Link to Scores
8:16 Kenn Kumpf: _they mix above there (2008)
19:22 Timothy McCormack: HEAVY MATTER (2012)
28:28 Sehyung Kim: IL (2014/2015)
37:33 Vinko Globokar: Echanges (1973)
Link to Scores
Solo with Ensemble:
Pierluigi Billone: Ebe und Anders
Klangorum Wien
Clement Power, conductor
Sava Stoianov, trumpet
Kevin Fairbairn, trombone
Yaron Deutsch, electric guitar
Sample of Scholarly Writing:
Performing Diffraction by Kevin Fairbairn
Performing Diffraction: Reading Michael Baldwin's Erasure through Karen Barad's Agential Realism Erasure sounds through the superimposition of waves of activity, ostensibly quasi-independent though in constant interference with each other. Erasure begins to sound in the moment of intersection of these disparate but inseparable strands of physical material, interwoven into the constantly transforming aural material of the piece.
Sample Presentation, text:
Haecceitas and Aaron Cassidy’s they mark the zone where the force is in the process of striking (or, Second Study for Figures at the Base of a Crucifixion)
| haecceitas_and_aaron_cassidy’s_they_mark_the_zone.pdf |
Curriculum Vitae
| kevin_fairbairn_cv_2018__3_.pdf |
Teaching Philosophy
| teachingphilosophy.pdf |
